Post-Processing: Yellow-crowned Night Heron
Camera: NIKON D300
Exposure: 1/500sec at f/5.6 ISO 200
Exposure Mode: Shutter Priority
Lens: Sigma DG 120-400mm 4.5-5.6 APO HSM
Software: Nikon Capture NX-D
Software: Photoshop CC 2015
Software: Topaz ReMask v5
Software: Topaz Texture Effects
Yellow-crowned Night Heron
Nyctanassa violacea
These birds forage mainly at night, and I have often wondered if the geeky look is because they are not well-adapted to bright sunlight.
This was shot at Fort De-Soto.
The image was converted to TIFF using Nikon's Capture NX-D. After all is said and done, I still feel that for Nikon RAW images, the colour, sharpness and contrast are better using the Nikon converter.
The captured image contained a number of distracting elements. Post-Processing was aimed at simplifying the image, and forming it into the style of image that I like.
Here are the key layers; from the top down:
* Curves Adjustment Layer, with mask, set to Screen blend create a loosely shaped white vignette
* Curves Adjustment Layer, set to Colour Dodge Blend, with background masked out; this increased contrast and gave the gray bird a little more pop!
* Curves Adjustment Layer, to lighten (dodge) the head; set to Normal Blend, with everything masked except the head
* Sharpening layer created using Calvin Hollywood's Freaky Amazing Details approach. Only the bird was sharpened.
* A masked image layer; only the bird. All the background masked out using Topaz ReMask.
* Hue/Saturation Adjustment Layer, used to move the greens to a more blue colour and to reduce the saturation in those beachy greens.
* Image layer, clean-up manually with the clone and healing brushes, and then processed with Topaz Texture Effects to give a subtle texture and a light splash.
Copyright Mike MacKay 2016